✦ For museums, schools & brands

Know what the print is — before you put it in the collection.

CultureSchool documents the world’s color and textile traditions — named, credited, and sourced — and licenses that work, and the standard behind it, to institutions and brands who can’t afford to get culture wrong.

✦ The gap we close

There is no Bloomberg for
cultural provenance.

Using a motif, a palette, or a pattern from a living tradition carries real risk — a trade name in place of the community’s own name, a design credited to the wrong country, even a symbol that means something you would never want on a product.

These errors are easy to make and expensive to ship — in reputation, in relationships, and sometimes in law. We make the diligence someone else’s job: researched, cited, sensitivity-rated, and standing behind a real name. You get culture you can use with confidence, and the receipts to prove it.

✦ What we license

The libraries — and the
standard behind them.

Named palette & pattern libraries
8,000+ palettes, each named and tied to a real place, with a palette-driven pattern library built from them — not stock art, but color and pattern with a documented source.
Per-seat · API
The Provenance Atlas
Our standard: each entry researched, reviewed by a named expert, sensitivity-rated, and credited — alongside a register of the misattributions the field keeps repeating. The layer that clears a design before it ships.
Site licence · per-clearance
Color intelligence engine
Photo → palette → matched, credited library. Turn an object, a textile, or a room into a palette that already knows where it came from.
API
✦ Who it’s for

Built for the people who
have to get it right.

Museums

Your collection, credited correctly, as a product line — named palettes and patterns drawn from your objects, with a revenue share and attribution built in.

Schools

A cited, reviewed reference so faculty stop rebuilding teaching materials every term — and students learn ethical color sourcing from a real standard.

Brands

Cleared, credited colorways with a provenance dossier — culture you can put in the collection knowing what it is, who it belongs to, and that it’s been checked.

Communities & practitioners

Named with your own name, your people, and your place — and, where there’s a tradition to protect, engaged for consent and benefit-share. Credited and paid, not extracted.

✦ The standard

Why a named person
stands behind every entry.

Anyone can compile color. What’s hard — and what a machine can’t produce — is a real, accountable person who checked the claim and credited it. That’s the product.

01
Researched

Sourced from museums, academic and national craft-council references, with a checkable citation behind each claim — origin, technique, and meaning.

02
Reviewed

A named expert checks the entry and stands behind it publicly. Our rule: the person who researches an entry can never be the one who signs off on it.

03
Credited & consented

Every tradition named with its own name, its people, and its place — and where there’s a community authority, engaged for consent and a share of what the work earns.

✦ This isn’t a slide deck

The commercial proof is
the provenance proof.

“Our credited work already sells — candles, textiles, and patterns drawn from these palettes, in customers’ hands and on our popup tables. If the provenance weren’t real, the product wouldn’t be either.”
Founded by Stacey Grant-Lewis
Chair, Ashland Cultural Council
Technical Product Manager

CultureSchool LLC · est. 2023
Patent pending
✦ Let’s talk

Build something cleared,
credited, and yours.

Tell us what you’re making, teaching, or exhibiting — and we’ll show you how the libraries and the standard fit.

Start a conversation →